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Robert Conrad starred as James West. Conrad claimed to be the 17th actor to test for the role of James West.
Rory Calhoun was initially announced for the part. Conrad performed nearly all of his own stunts on The Wild Wild West. Things started moving quicker when I took the jumps and the spills.
We started meeting the budget. Conrad spent weeks in the hospital, and had a long convalescence slowed by constant dizziness.
The episode was eventually completed and aired during the fourth season, with footage of the fall left in. It's a constant reminder to be careful.
It also bolstered my determination to make this my last year with the series. Four seasons are enough of this sort of thing.
Artemus Gordon was played by Ross Martin. Lucky from to , portraying Mr. Martin once called his role as Artemus Gordon "a show-off's showcase" because it allowed him to portray over different characters during the course of the series, and perform dozens of different dialects.
Martin sketched his ideas for his characterizations and worked with the makeup artists to execute the final look. Sometimes I feel like a one man repertory company.
I think I've proven to myself and to the industry that I am the No. Martin broke his leg in a fourth-season episode, "The Night of the Avaricious Actuary," when he dropped a rifle, stepped on it, and his foot rolled over it.
When the shell ejected from the rifle, it caught him in the eye and burned it. We still haven't finished that scene. It will have to wait until I can move around again.
A few weeks later, after completing "The Night of Fire and Brimstone", Martin suffered a heart attack on August 17, This was exactly two years after Michael Garrison died.
Martin's character was replaced temporarily by other agents played by Charles Aidman four episodes , Alan Hale, Jr. Aidman said the producers had promised to rewrite the scripts for his new character, but this simply amounted to scratching out the name "Artemus Gordon" and penciling in "Jeremy Pike" his character's name.
The show's most memorable recurring arch- villain was Dr. Miguelito Quixote Loveless , a brilliant but petulant and megalomaniacal dwarf portrayed by Michael Dunn.
Initially he had two constant companions: Voltaire disappeared without explanation after his third episode although Richard Kiel returned in a different role in "The Night of the Simian Terror" , and Antoinette after her sixth.
According to the TV movie The Wild Wild West Revisited , Loveless eventually dies in from ulcers , brought on by the frustration of having his plans consistently foiled by West and Gordon.
His son, played by Paul Williams , subsequently seeks revenge on the agents. Though several actors appeared in multiple villainous roles, only one other character had a second encounter with West and Gordon: Count Manzeppi played flamboyantly by Victor Buono , who played another, different villain in the pilot , a diabolical genius of "black magic" and crime, who—like Dr.
Loveless—had an escape plan at the end. Henry Messenger", a parody of Henry Kissinger , who ends up both handcuffed and turning invisible with the villainous Paradine.
While the show's writers created their fair share of villains, they frequently started with the nefarious, stylized inventions of these madmen or madwomen and then wrote the episodes to capitalize on these devices.
Henry Sharp, the series' story consultant, would sketch the preliminaries of the designs eccentrically numbering every sketch "fig.
Wells , and Jules Verne. They pitched the idea for a film to 20th Century Fox , but studio turned them down.
After Ratoff died in , his widow and Garrison sold the film rights to Charles K. Feldman eventually produced the spoof Casino Royale in In a later deposition, Ralston explained that he was approached by Michael Garrison, who "said he had an idea for a series, good commercial idea, and wanted to know if I could glue the idea of a western hero and a James Bond type together in the same show.
It was his idea, for example, to have a secret agent named Jim West who would perform secret missions for President Ulysses S. Ralston later sued Warner Bros.
As indicated by Robert Conrad on his DVD commentary, the show went through several changes in producers in its first season. This was apparently due to conflicts between the network and Garrison, who had no experience producing for television and had trouble staying on budget.
At first, Ben Brady was named producer, but he was shifted to Rawhide , which had its own crisis when star Eric Fleming quit at the end of the season.
That series lasted for another thirteen episodes before it was cancelled by CBS. The network then hired Collier Young.
The Rogues , which he had produced, was about con men who swindled swindlers, much like the s series Switch. Young also claimed to have added the wry second "Wild" to the series title, which had been simply "The Wild West" in its early stages of production.
His shows featured a butler named Tennyson who traveled with West and Gordon, but since the episodes were not broadcast in production order, the character popped up at different times during the first season.
Conrad was not sorry to see Young go: All that guy did creatively was put the second 'wild' in the title. CBS did the right thing. Young's replacement, Fred Freiberger , returned the series to its original concept.
It was on his watch that writer John Kneubuhl , inspired by a magazine article on Michael Dunn , created the arch-villain Dr.
Phoebe Dorin, who played Loveless' assistant, Antoinette, recalled: Garrison said to himself, 'Michael Dunn would make the most extraordinary villain.
People have never seen anything like him before, and he's a fabulous little actor and he's funny as hell.
He came backstage and he told us who he was and he said he was going to do a television show called The Wild Wild West and we would be called.
We thought, 'Yeah, yeah, we've heard all that before. And that's how it started, because he saw the nightclub act. Because of health problems, Dunn could only appear in 10 episodes instead of After ten episodes 5—14 , Freiberger and executive producer Michael Garrison were, according to Variety, "unceremoniously dumped," reputedly due to a behind-the-scenes power struggle.
Garrison was replaced by Phillip Leacock, the executive producer of Gunsmoke , and Freiberger was supplanted by John Mantley, an associate producer on Gunsmoke.
The exchange stunned both cast and crew. He turned the matter over to his attorneys. Freiberger said, "I was fired for accomplishing what I had been hired to do.
I was hired to pull the show together when it was in chaos. Let's face it, the show is healthy. I think Fred Freiberger is totally correct in his concept of the show.
It's an administrative change, for what reason I don't know. Mantley produced seven 15—21 episodes then returned to his former position on Gunsmoke , and Gene L.
Coon took over as associate producer. By then, Garrison's conflict with CBS was resolved and he returned to the executive producer role.
Coon, however, left after six episodes 22—27 to write First to Fight , a Warner Bros. Garrison produced the last episode of season one and the initial episodes of season two.
Garrison's return was much to the relief of Ross Martin, who once revealed that he was so disenchanted during the first season that he tried to quit three times.
He explained that Garrison "saw the show as a Bond spoof laid in , and we all knew where we stood. Each new producer tried to put his stamp on the show and I had a terrible struggle.
I fought them line by line in every script. They knew they couldn't change the James West role very much, but it was open season on Artemus Gordon because they had never seen anything like him before.
On August 17, , however, during production of the new season's ninth episode, "The Night of the Ready-Made Corpse", Garrison fell down a flight of stairs in his home, fractured his skull, and died.
CBS brought in Bruce Lansbury , brother of actress Angela Lansbury , to produce the show for the remainder of its run. When he was tapped for The Wild Wild West, Lansbury was working with his twin brother, Edgar , producing legitimate theater on Broadway.
The first season's episodes were filmed in black and white, and they were darker in tone. The acre lot was formerly the home of Republic Studios , which specialized in low-budget films including Westerns starring Roy Rogers and Gene Autry and Saturday morning serials which The Wild Wild West appropriately echoed.
In the mids the western streets and sets were replaced with new sound stages and urban facades, including the New York streets seen in Seinfeld.
In the lagoon set that was originally constructed for Gilligan's Island was paved over to create a parking lot. Footage of this train, with a 5 replacing the 3 on its number plate, was shot in Jamestown, California.
When The Wild Wild West went into series production, however, an entirely different train was employed.
The locomotive, a named the Inyo, was built in by the Baldwin Locomotive Works in Philadelphia.
The Inyo, as well as the express car and the passenger car, originally served the Virginia and Truckee Railroad in Nevada.
Footage of the Inyo in motion and idling was shot around Menifee, California , and reused in virtually every episode. Stock footage of Sierra No.
These trains were used only for exterior shots. Neither Stage 6 or the western streets still exist. The State of Nevada purchased the Inyo in ; it was restored to vintage, including a wider smoke stack and a new pilot cow catcher without a drop coupler.
The express car No. For its role as "The Wanderer" in the motion picture, the engine was sent to the steam shops at the Strasburg Railroad for restoration and repainting.
The Wild Wild West featured numerous, often anachronistic, gadgets. Some were recurring devices, such as West's sleeve gun or breakaway derringer hidden in his left and right boot heels.
Others appeared in only a single episode. The main title theme was written by Richard Markowitz , who previously composed the theme for the TV series The Rebel.
He was brought in after the producers rejected two attempts by film composer Dimitri Tiomkin .
The Series included in the first season DVD boxed set, Markowitz recalled that the original Tiomkin theme "was very, kind of, traditional, it just seemed wrong.
That took it away from the serious kind of thing that Tiomkin was trying to do What I did essentially was write two themes: Markowitz, however, was never credited for his theme in any episode; it is believed [ by whom?
Markowitz did receive "music composed and conducted by" credits for episodes he'd scored such as "The Night of the Bars of Hell" and "The Night of the Raven" or where he supplied the majority of tracked-in cues for example in "The Night of the Grand Emir" and "The Night of the Gypsy Peril".
He finally received "theme by" credit on both of the TV movies, which were scored by Jeff Alexander rather than Markowitz few personnel from the series were involved with the TV movies.
The animated title sequence was another unique element of the series. The screen was divided into four corner panels surrounding a narrow central panel that contained a cartoon "hero".
In the three seasons shot in color, the overall backdrop was an abstracted wash of the flag of the United States , with the upper left panel colored blue and the others containing horizontal red stripes.
Each episode had four acts. At the end of each act, the scene, usually a cliffhanger moment, would freeze, and a sketch or photograph of the scene faded in to replace the cartoon art in one of the four corner panels.
The style of freeze-frame art changed over the course of the series. In all first-season episodes other than the pilot, the panels were live-action stills made to evoke 19th-century engravings.
In season two the first in color the scenes dissolved to tinted stills; from "The Night of the Flying Pie Plate" on, however, the panels were home to Warhol -like serigraphs of the freeze-frames.
The end credits were displayed over each episode's unique mosaic except in the final season, when a standardized design was used curiously, in this design the bank robber is unconscious, the cardsharp has no card and the lady is on the ground, but the sixshooter in the upper left-hand panel has returned.
The freeze-frame graphics were shot at a facility called Format Animation. During the first season, the series title "The Wild Wild West" was set in the font Barnum,  which resembles the newer font P.
In subsequent seasons, the title appeared in a hand-drawn version of the font Dolphin which resembles newer fonts called Zebrawood, Circus, and Rodeo Clown.
Robert Conrad's name was also set in this font. Ross Martin's name was set in the font Bracelet which resembles newer fonts named Tuscan Ornate and Romantiques.
All episode titles, writer and director credits, guest cast and crew credits were set in Barnum. The series is generally set during the presidency of Ulysses S.
Grant , —77; occasional episodes indicate a more precise date:. Some episodes were violent for their time, and that, rather than low ratings, ultimately was the series' downfall.
In addition to gunplay, there were usually two fight sequences per episode. After he suffered a concussion filming "The Night of the Fugitives," the network insisted that Conrad defer to a double.
His chair on the set was newly inscribed: Often, George would start a stunt, such as a high fall or a dive through a window, then land behind boxes or off camera, where Conrad was concealed and waiting to seamlessly complete the action.
This same ploy was often used by Ross Martin and Bob Herron. It was hazardous work. Hughes recalled, "We had a lot of crashes.
We used to say, 'Roll the cameras and call the ambulances. A broken skull for Red West. Broken leg for Jimmy George.
Broken arm for Jack Skelly. He did his own stunts. And on and on. Following the assassinations of Dr. One of the questions it tackled was whether violence on television was a contributing factor to violence in American society.
This also included graphic news coverage of the Vietnam War. The Wild Wild West Watch your favorite shows on Prime Video. Ross Martin, Robert Conrad more less.
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